Post pobrano z: Bedrooms of the Fallen
Photojournalist Ashley Gilbertson’s ‘Bedrooms of the Fallen’ takes a look at the rooms of soldiers who never returned from war. Read more here
Post pobrano z: Universal Everything for Nissan

Directed by Matt Pyke, animated by Chris Perry at Universal Everything. Sound by Simon Pyke at Freefarm. Commissioned by TBWA digital arts.
Post pobrano z: Siggi Eggertsson updates
Übertalented Icelandic illustrator and Berlin based Siggi Eggertsson drops a big update of his portfolio. Make sure to check out the amazing series of illustrations he has made for WIRED.
Post pobrano z: Warp Records and Ninja Tune – 3D Soundclash [Processing]

In February 2010, the Red Bull Music Academy prompted Warp Records and Ninja Tune for a Soundclash on
a 3D sound system, staged in the Loading Bay of the Royal Albert Hall.
FIELD developed a
generative real-time application especially for this event, which motion
designers Quayola and Thomas Traum used to
design and perform soundreactive visuals for the sets of Plaid, Clark,
Mira Calix and many more.
More info at Creative
Applications
Post pobrano z: The Sandpit

The Sandpit is a day in the life of New York City, in miniature by Aero Director/ VFX artist Sam O’Hare
Original
Music: composed by Human, co-written by Rosi Golan and Alex Wong. View work-flow and process HERE
Post pobrano z: Pour Me A Drink
“Pour Me a Drink” – A short film collaboration between Filler Magazine and Sons and Daughters director Jessica Edwards.
Launched in 2009, Filler Magazine is an online magazine featuring fashion, art, culture and film. “We wanted to give artists a platform to showcase their work,” says Ryan Johnson, Creative Director Filler Magazine. “The videos on our site are a form of editorial content and ‘Pour Me a Drink’ is a collaboration between fashion and film showcasing three looks for both men and women. We went for a dark and moody love story so the clothes would pop.” Continues Johnson.
“These two models are 2010 versions of Elizabeth Taylor and Richard Burton,” adds director Jessica Edwards. “I wanted to create a subtle narrative where the models are living mannequins and fashion is featured within the story but is not the entire story.”
Full credits and a selection of stills are posted here.
