In this tutorial I’ll show you how to create a floral portrait of a woman with flowers, leaves, branches and butterflies. We’ll not only combine different images using standard blending techniques but also learn how to make abstract elements. We’ll also use filters and enhance the color to achieve a fresh and creative result.
The following assets were used during the production of this tutorial:
1. Add the Background
Create a new 1500 x 1500 px document in Photoshop with the following settings:
Go to Layer > New Fill Layer > Solid Color and pick the color
Select Layer > New Adjustment Layer > Curves and decrease the lightness a bit:
On this layer mask, use a soft round brush with black color (soft black
brush) and Opacity about 20-30% to paint on the middle of the canvas
to make this area a bit brighter than the edges. It will help to focus
on the center. Here are the results on the mask and on the picture:
2. Add the Model
the model image and isolate her from the background using your favorite method. In this case, I used a layer mask with a hard black brush.
Create a new fill layer between the background and the isolated model
and pick any light colors.
Create two new layers and use a soft brush with the colors
#9c7966 (these colors are picked from the head) to fill in the hair.
Hide the background and the fill layer and hit Control-Shift-Alt-E to
merge all the transparent layers into a new one. Move the merged model
into our main canvas using the Move Tool (V):
Click the second icon at the bottom of the Layers panel to add a mask to
this layer. Use a medium-soft black brush to remove the bottom of the model’s body:
Use a Hue/Saturation adjustment layer set as Clipping Mask to
desaturate the model. Change the Master settings as the screenshot below
Make a Curves adjustment layer to brighten the model. On this layer
mask, use a soft black brush to erase the areas which are bright
3. Make the Branches
First we’ll be making the abstract branches. Open the flower 1 image.
Isolate the flower using the Magic Wand Tool (W) and add it to the main
canvas. Go to Filter > Liquify and choose the Forward Warp Tool. Set
the brush size to about 300 px (it depends on the flower size you’ve
chosen). Stretch it to change the shape and make it much longer, like a
Duplicate this layer many times and liquify them to get results in a similar style to the first. Arrange them on both sides of the model.
Select all of these layers, press Control-G to make a group for them, and change this group mode to Normal 100%. Add a mask to this group and use
a medium-soft black brush to erase the bottom of some of the branches
to make them look as if they’re growing from the model’s body.
Duplicate several branches, make them smaller and move them to the eye:
Create a Hue/Saturation adjustment layer within this group to change the branches’ color.
Use a Curves adjustment layer to darken the branches:
Open the branch image and cut it out from the white background. Add it
to the bottom of the model’s body and duplicate it. Flip it horizontally by
choosing Edit > Transform > Flip Horizontal. Place these layers
under the abstract branches group.
Add a mask to each of these layers and clear their bottom.
Duplicate them several times and arrange them around the bottom of the model’s body and her
head. Use the Free Transform Tool (Control-T) to vary their size and
Make a group for these branches and add a Color Balance adjustment layer. Increase the Red value of the Midtones:
Use a Photo Filter adjustment layer and pick the color
4. Add the Flowers
Open the flowers 3 image and isolate the flowers using the Magic Wand Tool.
Place the image at the bottom of the model and cover the holes between the
leaves and branches.
Use a layer mask to blend the flowers with the existing elements:
Create a Color Balance adjustment layer and change the Midtones and Highlights settings:
Use a Hue/Saturation adjustment layer and change the Master settings:
Make a Curves adjustment layer and increase the lightness to make the flower brighter:
Open the flowers 2 image and cut the flowers out as you did with the other
elements. Move it into the main document and rotate the side with the
flowers and buds in the direction of the eyes.
Here is the result after masking off the parts covering the face:
Duplicate this several times and arrange them around the model. Use a
layer mask to delete the areas you don’t want to show on the picture.
Use the Lasso Tool (L) to select the flower on the top of the model, and
press Control-J to duplicate this flower on a new layer. Choose the
Liquify Tool and pick the Twirl Clockwise Tool to bend and tweak this
flower to make it appear like an abstract one. Feel free to form it in
the way you want but keep it still looking like a flower, so don’t tweak it too much. Place it on the left of the head area with the leaves.
Duplicate this flower several times and continue bending them to make
them appear different but still in a similar style. Place them above the top of the abstract branches and on the arm.
Make a group for all the elements made from the flowers 2 image. Use a
Hue/Saturation adjustment layer and reduce the Saturation value to –40:
5. Create the Abstract Makeup
We’ll be going through a very interesting stage. Press D to turn the
foreground and background to default (black and white). Create a new
layer on top of the layers and use the Elliptical Marquee Tool (M) to
draw a circle on the canvas. Go to Filter > Render > Clouds:
Press Control-D to deselect this circle and go to Filter > Pixelate > Pointillize. Set the Cell Size to 67:
Tweak this circle using the Liquify Tools to get a result similar to the one below, or any shapes you wish for.
Change this layer mode to Soft Light 100% and use a layer mask to make the effect visible only on the model’s cheek:
Duplicate this layer twice and move them to the forehead and arm. Mask
off the unwanted details to make the effect subtle and soft.
Create a group for these layers (remember to change the group mode to Soft Light 100%) and use an Invert adjustment layer to invert the effect color:
6. Add the Butterflies
the butterfly 1 image and isolate the butterflies from the background. Select the
middle butterfly and place it above the highest abstract flower on the
Use a Hue/Saturation adjustment layer to make the butterfly more saturated:
Open the butterfly 2 image. Take the blue butterfly on the top left and move it above the highest abstract flower on the left of the main document:
Change the butterfly color using a Hue/Saturation adjustment layer:
Use a Curves adjustment layer to make the butterfly brighter:
7. The Final Adjustment
We’ve finished adding the elements, and now it’s time to change the color.
Create a Color Fill layer on top of the layers and pick the color
#1f0901. Set this layer mode to Exclusion 100%:
Make a Color Balance adjustment layer and change the Midtones and Highlights values:
Add a Curves adjustment layer to change the contrast and color of the whole image:
Make a Photo Filter adjustment layer and pick the color
another Photo Filter adjustment layer and select the color
this layer mask, use a soft black brush to reduce the effect on the
edges and the model’s face. This aims to avoid making the color effect look flat.
Use a Selective Color adjustment layer to alter the color of the leaves and butterfly 1.
Add a Vibrance adjustment layer to enhance the effect. You know it’s my all-time favorite adjustment layer!
Make a Levels adjustment layer and decrease the Midtones value. Select
this layer mask and paint on the middle to make the edges a bit darker. It helps to create a subtle vignette effect.
Congratulations, You’re Done!
I hope that you’ve learned something useful for your future projects.
Feel free to leave your comments in the box below—I’d love to see them.